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With the WGA strike entering it's third month and SAG-AFTRA strike heading into its third week, L.A. workers reflect on what the Hollywood stoppage means for the local economy.

Julia Pierpont's debut novel opens with a young girl's discovery of her father's infidelity. Maureen Corrigan says that what follows is so unexpected and tense that it's a "fresh pleasure to read."

Étienne Davodeau's new graphic novel sounds like it could be laden with chick-flick schmaltz, but critic Etelka Lehoczky says this tale of female self-discovery is fresh, funny and unexpected.

Amelia Gray's new story collection is brimming with gore, guts, madness and deviance. Reviewer Colin Dwyer says Gray is reclaiming a place in literature for our bloody, clumsy, inconvenient bodies.

Eliza Kennedy's snappy new novel follows Lily Wilder, a high-powered litigator conflicted about her upcoming wedding because she's having too much fun with sex, booze and work to settle down.

J.C. Hallman's audacious account of his engagement with the erotic writing of Nicholson Baker makes a splash, but critic Heller McAlpin says the book sometimes runs aground in self-indulgence.

Shigeru Mizuki's Showa 1944-1953 is the third volume of his massive, autobiographical history of Japan and WWII, packed with anger at generals who ordered him to die, and gratitude for his survival.

In the 1940s, U.S. publishers printed paperbacks — everything from romances to Westerns — that were designed for battle. Molly Guptill Manning explores their history in When Books Went to War.

With the "pace and feel of an exploded documentary," says review Alan Cheuse, Don Winslow recounts a 10-year odyssey of revenge set in Mexico against the stark history of the drug wars.

This second volume in Edward Carey's Iremonger Trilogy leaves the forbidding Heap House behind to explore a strange alternate London where people can turn into objects — and objects into people.