Ali Shaheed Muhammad
Ali Shaheed Muhammad is a world-renowned producer, songwriter and musician, and a founding member of A Tribe Called Quest, Lucy Pearl and production group The Ummah. He cowrote D'Angelo's "Brown Sugar" and has worked with John Legend, Maxwell, Mint Condition, Angie Stone, Mos Def and Gil Scott-Heron among many others.
He's the co-host of the Microphone Check podcast with Frannie Kelley.
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Our producer, David Luke, father of David Luke III, put together this podcast, in which past guests like Danny Brown, Solange Knowles and T.I spoke about fatherhood and father figures. It's OK to cry.
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The artist and thinker, who just released a new album, takes us from the drummers of Burundi to Adam Ant, Octavia Butler to David Bowie, Rakim to Young Thug.
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We spoke to the rapper, producer and head of Awful Records, while we were in Atlanta in May. Our onstage conversation was brief but covered a lot of ground fast.
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We went to Atlanta to talk to the three-man production team behind some of the greatest songs ever: Ray Murray, Rico Wade and Sleepy Brown.
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We put our legendary co-host in the hot seat and he spoke on how he evaluates music, how his faith influences his work ethic and how much he cares about getting credit. And that's just the first half.
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Jean Grae is a rapper, a singer, a writer, a comedian and an actress. She doesn't run out of ideas. Her most recent album is called That's Not How You Do That: An Instructional Album For Adults.
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The pillar of New York's ASAP Mob speaks about his aesthetic choices, the way he imagines our far off future and what he's learned from Missy Elliott.
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"The best way to represent the places where you from is be yourself, completely," says the musician and actor.
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The rapper from Gary, Ind., moved to L.A. 10 years ago, where he met Madlib, a producer revered for his collaborations. The two of them have now made an album Gibbs thinks can't be touched.
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For a special episode of Microphone Check we invited Prince Paul, Mike Dean, Faith Newman, Stretch Armstrong and Ralph McDaniels to tell stories about a singularly productive year in the culture.