Alt.Latino Playlist: A Tribute, A Hip-Hop Remake Of A Cuban Classic And More
We start the playlist this week with a song that is available only as a video at this point. Reggaetonero Bad Bunny wrote an emotional Instagram post earlier this week; he'd been a fan of Kobe Bryant since he was 7-years-old and says the basketball superstar's death hit him hard.
We also have another addition to the "single every month" release schedule of Cuban musician X Alfonso, as well as the usual collection of songs you have to know.
Bad Bunny, "6 Rings"
Nothing galvanizes people of different backgrounds and motivations like the unexpected death of a pop culture hero. We've had way too many so far in the 2000s, including Michael Jackson (who left a complicated legacy) and Prince.
The death of basketball icon Kobe Bryant, his teenage daughter and 9 others in a helicopter crash over the weekend has seen an outpouring of grief from his fans. Reaggaeton musician Bad Bunny offered a heartfelt, two-minute tribute to Bryant that contains this line (performed in Spanish): "You won six rings / Five with the NBA and one in a marriage that gave you your daughters / Thinking that one of them left with you, got me outta control / But nah, it's so you don't play ball alone in heaven." As a father myself, that last line is almost unbearable. —Felix Contreras
Orishas and Beatriz Luengo, "Ojalá Pase"
Cuban hip-hop trio Orishas' latest single, "Ojalá Phase," reinterprets the iconic 1978 song "Ojalá" by Silvio Rodríguez, one of the island's most prolific nueva trova protest musicians. It's also the first song by Orishas that explicitly criticizes economic and political conditions in Cuba.
The controversy began when Rodríguez wrote on his blog that he did not authorize Orishas' use of the song, nor did the group request authorization. "Me parece un lamentable acto de parasitismo," Rodríguez wrote on Saturday. ("It seems to me a lamentable, parasitic act.")
"Ojalá Pase" interpolates Rodríguez's melody as well as seven lines of the song's chorus, inflecting them with new meaning: "Ojalá se te acabe la mirada constante / La palabra precisa, la sonrisa perfecta." Yotuel's verse places the idealism of Rodriguez's words and of the revolution since 1959 in contrast with the pain and lack of movement Yotuel sees in Cuba today: "Llora mi pueblo y siento yo su voz / Tu '59 yo doble 2 / 60 años trancado el dominó."
Regardless of this artistic feud or potential intellectual property conflicts, Orishas' lyrical mastery follows, ironically, a centuries-long tradition of Cuban lyricism that Rodríguez foregrounded again in the 1960s. Both of these artists have contributed in large part to Cuba's rich musical past and future. The line that ends Rodríguez's chorus is absent from Orishas' version, but lingers still: "Ojalá que no pueda tocarte ni en canciones." —Stefanie Fernández
X Alfonso, "No Se Puede Pensar Como Un Prisionero"
Cuban musician X Alfonso continues his run of one single per month leading up to an album release in September 2020. "No Se Puede Pensar Como Un Prisionero" is the fifth in the series and is a riveting mediation on resistance; the song also calls for deep reflection to rescue the self amidst an onslaught of the corrupting power of money. Month by month, X Alfonso impresses. —Felix Contreras
Angelica Garcia, "Guadalupe"
Angelica Garcia is one of my favorite musical finds of last year for her irreverent Pop Rocks energy and proud Latina joy. Take "Guadalupe" as an example: Built around La Virgen de Guadalupe as a monument to feminine power, the Mexican-Salvadoran singer venerates la virgen as a teenager. "The more I thought about her, the more I was amazed and inspired by such a young girl being one of the most highly regarded figures among men and women," she says in a press release.
Garcia's pride vibrates off her refrain — "I wanna be like her" — as in the video, where she dances with her younger sisters in the sunshine. Her new album, Cha Cha Palace, comes out Feb. 28, and I want every Latina teen to hear it. — Stefanie Fernández
Sotomayor, "Menéate Pa' Mí"
Since November's excellent "Quema," the first single off the group's upcoming third album, Origines, Mexican brother-sister duo Sotomayor have had me meneando. "Menéate Pa' Mí" is an electro-acoustic concoction of Paulina Sotomayor's crackling lyrical flow, horn samples, kickdrums and lilting guitars that is tropical house times 20. Bonus points for the production assist on the album from Eduardo Cabra, Calle 13's Visitante. — Stefanie Fernández
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