Justin Chang
Justin Chang is a film critic for the Los Angeles Times and NPR's Fresh Air, and a regular contributor to KPCC's FilmWeek. He previously served as chief film critic and editor of film reviews for Variety.
Chang is the author of FilmCraft: Editing, a book of interviews with seventeen top film editors. He serves as chair of the National Society of Film Critics and secretary of the Los Angeles Film Critics Association.
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Adapted from Priscilla Presley's 1985 memoir, the film shows us the cracks in Elvis' Prince Charming veneer — the way he lavishes Priscilla with attention and then suddenly withholds it.
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Martin Scorsese's film, based on David Grann's book, tells the true story of white men in the 1920s who married into and systematically murdered Osage families to gain claims to their oil-rich land.
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A writer stands accused of killing her husband in this film, which won the Palme d'Or at Cannes. But as Anatomy of a Fall persuasively suggests, every marriage is a mystery.
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Kenneth Branaugh is back as Hercule Poirot, and it's hard not to enjoy his company in this unusually spooky murder mystery based on Agatha Christie's 1969 novel Hallowe'en Party.
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Bernal flirts and struts and gives one of the best performances of his career in a film inspired by the life of Mexican American professional wrestling star Saúl Armendáriz.
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Two queer best friends start a self-defense class for girls as a ruse to hook up with cheerleaders in a film that's both a disarmingly sweet love story and a merciless comic pummeling.
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Michael Cera plays a man who returns home to see his two sisters after three years apart. This squirmy film about adults who act like overgrown children might just break your heart.
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A narcissistic film director leaves his husband for a woman in Ira Sachs' new drama. But ending a marriage is rarely clean or easy — as this thrilling, tempestuous film proves.
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Two films take on the horror of grief: While Disney's live-action comedy is neither funny nor frightening, the Australian horror-thriller about teenagers dabbling in the occult is terrifically creepy.
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It's not every day that an exuberant comedy about a Mattel doll goes head-to-head with a brooding drama about the father of the atomic bomb, but critic Justin Chang says both films deliver.