Benjamin Naddaff-Hafrey

The first time Tony Presley heard Sun June, it was through his apartment floor. The co-founder of up-and-coming Austin label Keeled Scales was living above Estuary Recording Facility, where the band was tracking its debut LP, Years. The album, which Keeled Scales will release June 15, retains the warmth of that initial encounter. Sun June's music is something that comes in snatches, wisps that captivate and escape the ear with all the airy weight of dust rising from an Austin floorboard on every beat of a muffled drum.

Wimberley, Texas is about 45 minutes out from Austin by car or truck — far enough to allow a music scene independent of Austin's own to thrive in that hill country. Alexander Buck Meek grew up in that scene, among the jazz manouche, blues and outlaw country guitarists of the region. Even though Buck Meek's work with Big Thief has taken him far away from his Texas home, the lead single from his self-titled debut album sounds as if it echoes out from the state's hill country.

When Gaby Moreno's guitar failed her at the start of her set, she borrowed one from Justin Vernon of Bon Iver, with whom she was sharing the bill. But the guitar would barely matter — the Guatemalan singer's set was, justifiably, defined by the stunning range of her voice, which can move from righteously defiant to cracked and wounded in the span of a single note, from Spanish to English in the span of a set.

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